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Ridente la calma aside, Mozart’s Lieder are almost all in German; the exceptions are two deliciously Watteau-esque French ariettes written under the influence of his crucial expedition to Paris in the years 1777 to 1779 and composed for Augusta Wendling (Mlle Gustel), daughter of the great Mannheim flautist Johann Baptist Wendling.As Wolfgang wheedlingly wrote to his disapproving and impatient father back home: ‘Mlle Gustel …Also from 14 January we find yet a third song, Das Kinderspiel, with its innocent air of childish play amid nature’s green fields.Its delightful waltz-rhythm is directed to be rendered ‘munter’ (‘cheerfully’) and its key of A major was always one of Mozart’s favourites (as was the diametrically opposed E flat major of Im Frühlingsanfang).

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An early example of the theatrical influence can be found in the Italian canzonetta Ridente la calma, K152, composed in Salzburg during the summer of 1775, which is anticipatory of zephyrous moments in Idomeneo and Così fan tutte whilst breathing, too, a sense of consolatory resignation.For all its satire, however, its musical pedigree is of the highest order, evoking the pain of Ilia in Idomeneo, Pamina in Die Zauberflöte, and, in terms of key (F minor) and melancholy gloom, Barbarina in Le Nozze di Figaro.Then it ends like the slow movement of the A major Piano Concerto, K488. wikia JWPlayer=:wikia JWPlayer);define('',[ 'ext.Engine.utils.event Dispatcher',' Tracker','ext.Engine.Parser'],function(event Dispatcher,tracker,vast Parser));define(' Tracker',[' Tracker'],function(player Tracker));define('wikia.article Video.featured Video.autoplay',['ext.Context','Test','wikia.article Video.featured Video.cookies',],function(ad Context,ab Test,featured Video Cookie Service));define('wikia.article Video.featured',['ext.Context','ext.Engine.Url Builder','ext.Ad Unit Builder','ext.Registry', 'ext.Provider',' Video Ad','','ext.Engine.Debugger','ext.Engine.Parser','wikia.article Video.featured Video.lagger','wikia.log','wikia.window',require.optional('ext.Engine.wrappers.prebid'),],function(ad Context,vast Url Builder,mega Ad Unit Builder,slot Registry,src Provider,article Video Ad,ads Tracking,vast Debugger,vast Parser,fv Lagger,log,win,prebid));define('wikia.article Video.featured Video.lagger',['ext.Context','wikia.lazyqueue',require.optional(' Listener')],function(ad Context,lazy Queue,mercury Listener));define('wikia.article Video.featured Video.cookies',['wikia.cookies'],function(cookies));require(['wikia.window','wikia.cookies','wikia.tracker','wikia.tracking Opt In','Test','ext.Context', 'wikia.article Video.featured','wikia.article Video.featured Video.autoplay','wikia.article Video.featured','wikia.article Video.featured Tracking','wikia.article Video.featured Video.cookies',require.optional('ext.Engine.lookup.a9')],function(win,cookies,tracker,tracking Opt In,ab Test,ad Context,video Details,featured Video Autoplay,featured Video Ads,featured Video Moat Tracking,featured Video Cookie Service,a9){if(!Mozart’s work in the field of song composition spans almost the whole of his short life, beginning with An die Freude, composed in 1768 when he was twelve, and ending with Das Kinderspiel, written in January 1791, the year of his death.

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