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“She’s a bit like a shark in that way—she needs to keep moving to stay alive,” says Francis Lawrence. It’s an incredible run, groundbreaking in its creative and financial might, but Lawrence got there by working almost nonstop through her teens and 20s.I don’t blame her.“My biggest fear from that whole thing was that people were going to think that I was trying to be sexy,” she says. She has already endured the awfulness of having personal intimate photos hacked and leaked, a felony that she forcefully spoke out against but that has left her on edge.“It’s scary when you feel the whole world judges you,” she says.“I think people saw [the hacking] for what it was, which was a sex crime, but that feeling, I haven’t been able to get rid of it.The film jarred me for days after I saw it, and I want——to see it again. but also works on an allegorical plane, too,” the soft-spoken director tells me in a New York City editing suite in early summer.I think it’s going to be the kind of film that people argue about at dinner parties for months, if not years. A celebrated director (] works as a truthful, realistic relationship movie . At the moment, only a handful of people have seen the film, and Aronofsky is cautious about saying anything revealing.

But if asked, Lawrence will give a respectably straight answer on, say, her 2016 sci-fi film , which was a box-office success despite a thumping from critics—she’s proud of it but agrees with those who suggested the film would have benefited from a reedit and started with her character waking up.I also can’t believe I took Lawrence to a sensory-deprivation tank after she saw it. “Different people will see it different ways, and I’m always inspired by films you remember and are still talking about a few days later.”After writing the script in a flurry—five days, he says—Aronofsky was thrilled to get Lawrence for the part, considering her hectic schedule and the fact that would begin with three months of rehearsals in a Brooklyn warehouse involving the primary cast, which besides Lawrence and Pfeiffer includes Javier Bardem and Ed Harris.“To get that type of commitment from an actor is hard,” he says.“To get it from the biggest actors in the world is really, really hard.It’s a warm evening in Los Angeles, and Lawrence and I are alongside a fire pit in the backyard of a Mediterranean-style home high in the hills, where the air smells of flowers, money, and the negligible carbon burned thoughtfully by electric cars. Trust me: There are actors who get paralyzed about ordering lunch in front of an interviewer for fear of saying the wrong thing. This is not to say she doesn’t worry about blowback or misinterpretation or the types of things she might say if she had another Old Grand-Dad, but she can be deliciously, admirably truthful. Lawrence’s real home “broke” while she was away—a madcap story involving crystals and . “And I was like, ‘Please get rid of these; I don’t want people to come over here and think I’m a crystal person.’ ”“But everyone told me, ‘You can’t do that. You have to have the crystal lady who put them in move them. Lawrence praises Grande’s take as “spot-fucking-on”—even if she takes issue with the notion that she’s ever described herself as a “regular person.”“That’s what other people have said,” she says.

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